Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Dancer triming dress oil painting


Dancer triming dress
mk206 about 1899 oil on canvas 62.2x64.8cm
Painting ID::  49999 		Edgar Degas
Dancer triming dress
mk206 about 1899 oil on canvas 62.2x64.8cm
   
   
     
Edgar Degas Dancer triming dress oil painting


Dancer triming dress
mk206 1899 Oil on canvas 60x63cm
Painting ID::  50000 		Edgar Degas
Dancer triming dress
mk206 1899 Oil on canvas 60x63cm
   
   
     
Edgar Degas Two dance wear yellow dress oil painting


Two dance wear yellow dress
mk206 about 1902 83.2x69.9cm
Painting ID::  50001 		Edgar Degas
Two dance wear yellow dress
mk206 about 1902 83.2x69.9cm
   
   
     
Edgar Degas ballerina-s performance at opera house in Paris oil painting


ballerina-s performance at opera house in Paris
mk206 1877 Oil on cavnas 35.2x70.6cm
Painting ID::  50002 		Edgar Degas
ballerina-s performance at opera house in Paris
mk206 1877 Oil on cavnas 35.2x70.6cm
   
   
     
Edgar Degas Dancer oil painting


Dancer
mk206 1900-1910 Oil on canvas 45x93cm
Painting ID::  50003 		Edgar Degas
Dancer
mk206 1900-1910 Oil on canvas 45x93cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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